
Unfolding Kuchinan by Jayashree Chakravarty
June 24 – ,July 16, 2016 at Akar Prakar, Kolkata
The immediate encounter with Jayshree Chakravarty’s art is that of entering a labyrinth created out of visual excess and layers of imagery interlaced and fossilized between the skeins/skins of paper and fabric. A closer look unfolds the panorama of her world that brings together organic materials and civilizational histories of human experience, calling upon acts of witnessing, sensing, experiencing, remembering and erasing, as she continues to evolve a language that is gestural, visceral, symbolic and intense. Her expressive exigencies highlight the impending catastrophe awaited on earth by hinting in deeper ways at the failing ecology.
While the easel at times could not contain her exploding universe, she had to find newer ways to spill-out and took recourse to scrolls, and from thereon moved to physical structures that are reminiscent of shelters- wombs, cocoons, house, webs etc. What is interesting to observe and comprehend is the creative and immersive process of working that Jayashree has evolved over the years, resulting in dissolving divides between painting, sculpture and prints, expanding the artist’s tool-box to invent and incorporate various ways of image-making in her art.
Jayashree responds with an acute sensitivity to the fragility of a beautiful world, placed at the brink of a collapse with continuously disappearing natural habitat and the dominance of man-made structures as well as materials that are corrosive and denied the regenerative powers of nature. The exhibition will highlight the evolution of the artist’s pictorial language and the workings of her mind as they get revealed through the methodology she both invents and discovers-combining heroic scale with the gentle touch of protecting, nurturing and healing, asking for a dignified presence for all beings and creatures that maintain the ecology of life on earth.
Through the evocative richness and whirling visuality of her works, Jayashree, perhaps the humblest of her generation of artists, has consistently addressed the most pertinent question that we must all confront and reflect on – ‘how to live and let live’.
She is an extremely relevant artist whose concerns transcend geographical boundaries, cultural differences and political motives.
- Roobina Karode

Jayashree Chakravarty | In the very face of the time | Acrylic & Oil on Canvas | 70 x 52 in | 2013

Jayashree Chakravarty | Local Habitat | Acrylic & Oil on Digital Printed Canvas | 51 x 79 in | 2013
Jayashree Chakravarty | Moods of Water | Acrylic & Oil on Digital Printed Canvas | 51 x 79 in | 2013

Jayashree Chakravarty | Shallow Water | Acrylic & Oil on Canvas | 52 x 70 in | 2012

Jayashree Chakravarty | Tree | Acrylic & Oil on Canvas | 37 x 36 in | 2010

Jayashree Chakravarty | House | Acrylic & Oil on Canvas | 36 x 36 in | 2011

Jayashree Chakravarty | Vineyard | Acrylic & Oil on Canvas | 44 x 50 in | 2010
Jayashree Chakravarty | Untitled 1 | Acrylic & Oil on Canvas | 30 x 36 in | 2011
Jayashree Chakravarty | Untitled 2 | Acrylic & Oil on Canvas | 30 x 35.5 in | 2011

Jayashree Chakravarty | Concrete settlement | Cotton fabric, Nepali paper, tissue paper, jute, grass, dry leaves, weeds, tea stain, clay, glue, sequence, glass beads | 73.5 x 47.75 in | 2016

Jayashree Chakravarty | Developmental plot | Cotton fabric, Nepali paper, tissue paper, jute, grass, dry leaves, weeds, tea stain, clay, glue, sequence, glass beads | 73.5 x 50.25 in | 2016

Jayashree Chakravarty | Dying Stream | Cotton fabric, Nepali paper, tissue paper, jute, grass, dry leaves, weeds, tea stain, clay, glue, sequence, glass beads, magnetic tape of old audio cassettes | 76.5 x 50.75 in | 2016

Jayashree Chakravarty | Lost lake under the city | Cotton fabric, Nepali paper, tissue paper, jute, grass, dry leaves, weeds, tea stain, clay, glue, sequence, glass beads | 71.25 x 49.25 in | 2016

Jayashree Chakravarty | Marshland to sandland | Cotton fabric, Nepali paper, tissue paper, jute, grass, dry leaves, weeds, tea stain, clay, glue, sequence, glass beads | 74.25 x 60.75 in | 2016

Jayashree Chakravarty | Organic Growth | Cotton fabric, Nepali paper, tissue paper, jute, grass, dry leaves, weeds, tea stain, clay, glue, sequence, glass beads | 77 x 50.25 in | 2016

Jayashree Chakravarty | Remains of Vidyadhari Nadi | Cotton fabric, Nepali paper, tissue paper, jute, grass, dry leaves, weeds, tea stain, clay, glue, sequence, glass beads | 74 x 50 in | 2016

Jayashree Chakravarty | Vidyadhari Nadi | Cotton fabric, Nepali paper, tissue paper, jute, grass, dry leaves, weeds, tea stain, clay, glue, sequence, glass beads | 74.5 x 50.5 in | 2016

Jayashree Chakravarty | Weeds in Bareland | Cotton fabric, Nepali paper, tissue paper, jute, grass, dry leaves, weeds, tea stain, clay, glue, sequence, glass beads, magnetic tape of old audio cassettes | 77 x 50.25 in | 2016
About Jayashree Chakravarty
Jayashree Chakravarty (b. 1956) completed her Graduation at Visva Bharati in the sprawling natural environs of Santiniketan. She pursued her Master’s at the Faculty of Fine Arts at The Maharaja Sayajirao University, Baroda, where she was exposed to an urban sensibility. She was also an artist in residence at Aix-en-Provence from 1993-95 where she was influenced in the formative years of her practice by the French movement Supports/Surfaces, especially by Claude Viallat and also had conversations with some of the group members at the time. Inventing her own creative techniques, using organic material and varied kinds of papers, her installations in the form of paper scrolls remain unique in their conceptions and execution.
Jayashree has had exhibitions both in India and abroad, with shows at various museums, including the Musee Departemental Des Arts Asiatiques Nice, France; The Tagore Centre, Berlin, Germany; Chicago Cultural Center, Illinois, USA, and Singapore Art Museum (SAM), Singapore to name a few. Her recent shows include her exhibition at the Palazzo Madama, Turin, Italy; Musée Guimet, Paris, France; Asian Art Museum, San Francisco; Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, and Kiran Nadar Museum of Art, Noida & New Delhi. The artist lives and works in Kolkata, India.